![]() Typically, one of the downsides of using a 3rd party color filter is they don’t communicate with external control surfaces. This Insight covers one particular new feature in Color Finale Pro I find exciting… Tangent Devices support This ‘Pro’ version adds many features on top of the Color Finale plug-in that Patrick originally reviewed. If you prefer not to learn FCPX’s one-off user interface for color correction then you definitely take a look at this new plug-in from Color Grading Central, Color Finale Pro. Say ‘hello’ to the new Color Finale Pro plug-in (and control surface support) But many editors and colorists accustomed to color wheels have really struggled trying to master it (if that’s you, try starting with this Insight on FCPX’s Exposure slider). Some people have been fast to adapt to the FCPX Colorboard. This plugin brings back strong grading features into FCPX, in particular curves and color wheels. I won’t reveal here which FCPX plugin won last year’s challenge but amongst the plugins put to the test was Color Finale, from Color Grading Central. ![]() The goal is to find a ‘winner’ plugin, the one you would certainly pick if you could only use one along with your editing program. If you’ve been following Patrick’s ‘Desert Island Challenge’, you know he is reviewing different plugins aimed at increasing the grading experience in NLEs (first FCPX, and now Premiere Pro). How to set up the new Color Finale Pro with the Tangent Ripple? Feel free to welcome Christophe in the Comments! Now he joins them in the Library with his first Insight: A look at the new Color Finale Pro plug-in for FCPX. Since 2014 Christophe has been the Mixing Light ‘Member-At-Large’, keeping Dan, Robbie and Pat on the straight-and-narrow. And, no having to deal with the native FCPX Color Correction tools.Tutorials / Color Finale Pro First Look Welcome Christophe Delaunay as a new contributor to the Insights library. ![]() Use the brightness and Base Value sliders to balance the image. For instance, to create a Sepia tone: set Base Saturation to 0 and move the system color picker center puck to the orange/red area of the color wheel. ![]() Using Video Scopes > Luma is a great way to manage the fine tuning.īase Saturation can be used to remove or enhance the original clip’s saturation settings and you can “apply” any hue to the scene you like. Both sliders are used together to control the luma balance of the image. Use the SC Color Grade > Base Value slider for the highlights section. Use the Brightness slider of the system color picker to increase shadows (going toward black) increasing contrast, or lighten shadows (going toward white) and decrease contrast. Use the color wheel panel.ĭetermine the hue of the color cast and move the center “puck” diametrically away from that color. For a color grade, use SC Color Grade to apply any mood coloring, contrast, brightness levels you want, but the most common use for this plugin will likely be color correction.Ĭlick on the color swatch to activate it and call up the System Color Picker.
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